art community creatives interview

Introducing Escape 3 Points: a Sustainable Eco-Lodge in Southwestern Ghana with Akwasi Mclaren

Akwasi McLaren is the owner and designer of Escape 3 Points, an eco-lodge located just outside the village of Cape 3 Points in Southwestern Ghana. Drawn by the region’s stunning natural scenery, Akwasi felt a deep longing to create an ‘escape’ from the outside world, and in 2008, he began the Escape 3 Points project.

Built along a golden sand beach, Escape 3 Points nestles between two rivers, which flow into the Atlantic Ocean. The structures at Escape 3 Points are handbuilt with natural and recycled materials; from the lodges to the composted toilets, everything is made with earth, bamboo, raffia, thatch, and wood. The source of electricity is solar, and Akwasi and his team are consistently researching and exploring different renewable energy sources to maintain the environment’s eco-friendliness.

At a place where one sleeps to the sound of the sea and wakes to the melodies and chirping of birds and sunrise on the beautiful beach and ocean, the lodgers have only great things to say about their experiences. A guest noted that staying at the eco-lodge made them feel connected to nature and rejuvenated their soul, and another said the sounds of nature were so peaceful and relaxing that it felt like the trees were speaking to her.

With an origin story that begins in Canada and Cape 3 Points, Escape 3 Points has become that popular destination for those seeking to escape the noise and connect with nature. In this interview, we chat with Akwasi about the Escape 3 Points story, his motivations, challenges, beautiful moments, his guests and his plans for the future.

The Story of Escape 3 Points with Akwasi McLaren

NOTE: This interview transcript has been edited for clarity and brevity.

Ifunanya Okolie: Who is Akwasi? We know the story of a young man who came to the centre of the world and camped on the beach with his friends and discovered the intention to build what is now ‘Escape 3 Points.’

What is this man’s story? Who was he before he came on this beautiful adventure? What year did he arrive here? Where was he travelling to?

Akwasi: Well, thank you for the question. It’s a big question. My name is Akwasi Mclaren. I was born and raised in Canada. My mum is Ghanaian. I made my way back to Ghana in 2003. At that point, I was helping my parents manage their hotel and came on a camping trip to get away with some friends and found this place. 

After finding this place, I said, ‘I want to be able to come back here and build my house. My father advised me that ‘you like the place, because it’s beautiful and natural. What happens if you get bad neighbours? You should try and get as much land as you can.’ So, I came to get the land from the neighbour there (Akwasi gestures with his hands) to the neighbour on the other side.

But then, because I did that, it wasn’t so simple to just build a house. Some six years went by, I was still managing my parents’ hotel, dreaming about what it was that I wanted to do here and realising that as I was managing my parents’ hotel, which was more of a standard hotel that welcomes every kind of person, that I really wanted to focus on certain types of people that are really interesting, and draw those people here because I could also see that tourism was really helping the local communities. 

I said okay, I’m going to build something, but it won’t be a hotel. It would be a place where people can come and stay and also experience the area.

My background:

I’m an architect by training. I did my studies in Canada, and I did my thesis at a hands-on, low-cost trade school in Ghana, where the whole concept was a school that had no money but located on the roadside with access to the local resources and the first project for the school was to build the school.

I’d had an interest in composting toilets and compressed earth blocks. And so it was a question of putting it all together. Because of this fact and also that I grew up on the farm in my father’s workshop, it allowed me to come to a place where there was nothing and just began to build.

We started this whole process at the end of 2008 and since then, a lot of things have changed and the whole place has been built organically as we’ve realised we need this or that, we’ve just built, and it’s still a continuous process.

Ifunanya Okolie:

You mentioned ‘we.’ Who are your co-creators?


I’m the primary person who started the whole thing. During that time, my wife and I were dating. She’s been very supportive since the beginning. I also have some members of my team that have been with me since the beginning. They came as labourers, have grown as well with the place and become much more than labourers. They know a lot of different corners, the spirit, and all the things we’ve done to make this place what it is.

Ifunanya Okolie:

Great! How would you describe the experience of creating this paradise?


It’s been a journey, that’s for sure. Since the beginning, it’s been a difficult journey in the sense that I’ve learnt a lot about myself. I’ve also learnt a lot about the fact that one of the things I love and dislike the most would be people. It’s people that have given me the strength to continue to do this, but it’s also people that have also made me completely crazy where I thought, ‘I think I have to stop doing this.’ 

And that balance of trying to see where things are going, but overall, in the end, we’re still doing it, and the power of people still saying ‘don’t stop what you are doing, keep going’ and inspiring us has allowed us to continue to do what we are doing.

Ifunanya Okolie:

Thank you. What inspired the name ‘Escape 3 Points?’


It’s a bit of a play on words. We are located here at Cape 3 Points, and I wanted to build an escape: an escape from the city, the stress, and the outside world we find ourselves in. And to offer this refuge, the two came together, even though initially, the full name was going to be ‘Eco Escape 3 Points,’ but it’s a bit of a mouthful, so we reduced it to ‘Escape 3 Points.’

A short video of the Atlantic Ocean at Cape 3 Points

Ifunanya Okolie:

I am amazed at how many people come in here with their valuables and come back to find their valuables intact. The charging point is an example of that. How did you make security work without security guards and CCTV?


Before I came to live here, there was a story of a surfer who left his bag on the beach when he went out surfing. I had come to greet the chief to check on the land, and the chief passed me this bag, not knowing I didn’t even know the story beforehand, and he said, ‘we’re very sorry, this won’t happen again.’ 

I’m also from a small town, and this town wants to uphold a certain name. So, it helps, for the most part, that people want to do the right thing. They don’t want anybody going away and speaking badly about how this is the kind of people that we are. Having said that, of course, we’ve had small incidents where there are petty thefts incidents and things like this, where many times, the community also comes and helps sort out the situation.

Ifunanya Okolie:

I see. Because my next question was going to be, ‘have you had an instance of theft and violence here before? 


Not so much violence. Theft, petty thefts, but not so much on-site. Mostly, a lot of those incidents usually happen on the beach. One thing I learned just coming here at the very beginning is that as much as you’re in nature and feel like you’re alone. When you’re in trouble, there are people around. 

I got my truck stuck on-site before we had a properly established road, and people could hear the truck. They came out of nowhere to come and help so that we could get the truck out. There’s always somebody around, and that’s good and bad.

Sometimes, there are people around that don’t have the best of intentions, and they’re opportunistic, especially for the youth, which was part of the reason I came to meet the chief. 

Initially, he knew that my parents had a hotel, so he really wanted me to establish a hotel, which, when I heard it, I thought, ‘okay, well, that wasn’t necessarily what I was coming to do, but let’s see what we can do.’ But for him, it was more about the importance of creating jobs for the youth, and I could definitely see that. I mean, for this community as it’s so remote, there are not many opportunities for the youth. So either they start to follow in their parents’ footsteps of becoming fishermen or farmers, or commit petty crimes out of boredom because if people who want opportunities don’t get the opportunities, they’ll find ways and means to get it. So, definitely, there’s still an opportunity for the youth to have more experiences here so that we can minimise these kinds of incidents.

Ifunanya Okolie:

I agree. I hear what you’re saying. Have you experienced a case of culture shock from a guest before? What was it about, and how did you handle it?


I don’t know if we had people who experienced too much cultural shock once they reached here. Typically, just the fact that they’ve already arrived in Ghana in a car, and they’ve had to have a bit of a journey before they reach here.

But for people who’ve never been to Ghana, coming here – even here – I like to say that Accra is not Ghana. Accra is its own entity, Escape is also the same. So, we don’t have all the daily issues of Ghana here. In some ways, it’s a bit easier to acclimate yourself to what’s going on in Ghana and try to understand the culture better because there are different things about people’s understandings and mindsets that are different from everywhere else. And here, it allows you time to sink into it, so it’s not so much of a high-speed shock.

Ifunanya Okolie:

I’ve met one or two volunteers here. What is your process for signing up volunteers? What do you look out for? 


We’ve had volunteers from different places. We have a post online with Workaway that people are applying through. We’ve also had people who either come as guests, and they have family members, or they know somebody who is also interested in coming here.

We’ve also had guests who have said: ‘Oh, well, we want to come back. We really want to take part in what you are doing.’ When I look at volunteers, I look at a combination of the projects we have going on and their skill sets and try to see how we could balance things and also improve upon things. Because a lot of times when people are coming, they want to learn more about what we’re doing, but I also want to try and find a balance where they’re able to learn more, and the team can also gain from their experiences and knowledge because definitely, everybody who comes here comes from a completely different background.

So, there is always something we can learn from each other. And that is part of the whole concept from the beginning; it is about sharing knowledge from people from outside, people from here because there is a lot of local knowledge that is very valuable, but a lot of times, people don’t see the merit in it. But people coming from outside can see it.  

And the same with people coming from outside; they’ll know things, but they won’t necessarily write on their CV that they know certain things because they don’t feel it’s important, but afterwards, it turns out to be something very valuable that works very well with the environment and what we’re doing. 

Ifunanya Okolie:

Thank you. Do you have any projects you’re currently working on? 


You know, right now, I think I don’t have a project for once. We finished this working space here at the end of last year, and we’re doing some renovations around it.

So, at the moment, I’m just brainstorming about which project I’m going to take on next. It’s also the Christmas holiday period. It’s a moment where we focus on the people coming to make sure they also enjoy their experiences. And now, as we’re moving into 2023, it’s the moment to see what project we will take on next.

Ifunanya Okolie:

Are you hiring? 



Ifunanya Okolie:

You’re always hiring?


Not necessarily, but this year, we’re restructuring how we’re doing things. I can see that I need to take a step back from a lot of the day-to-day happenings here. Although, my problem is that I know how to do everything, which is good and bad. But it’s also not allowing me to bring things to the whole next level.

I’m also looking at restructuring and putting key people in between that can lead alongside me because I have a lot of strong people within my team, but leadership is where it’s more difficult. You know, when you’re on a team, you want to be a part of the team. You don’t want to be on the side.

And so it’s trickier to find the right people who want to be able to lead because a lot of the time, the people who want to lead are doing their own thing, which is normal. So right now, I’m looking at filling more managerial mid-positions within the company.

Ifunanya Okolie:

I’ve seen you surf. Do you have other hobbies or interests that help you think outside the box? 


Surfing is a big thing that plays into my life. I also DJ a bit on the side. I’ve been learning guitar, but mostly, just doing what I do occupies a lot of my time, and yes, it’s my work per se, but at the same time, I’m my boss, and I get to research and learn more about a lot of things that have piqued my interest. So, my work is also my hobby. It keeps me quite busy, and I’m also able to do it at my own pace most of the time. Apart from some music and some surfing, I’m okay.

Oh, I have my children. That also keeps me quite busy.

Ifunanya Okolie:

On the 31st eve, I saw some workers picking butterfly pea from the farm, which was used to make blue rice for the 31st dinner. Do you get your produce from the farm?


There you go! That answers the question. I’d forgotten this. Yes, we have quite a bit of produce that comes from the farm. 

Over the years, our farm has either been extremely abundant or not producing enough. It’s always been bearing a lot, and also, because we’re doing it organically, it’s a bit of a new concept to my team.

Currently, I have some people around, some permaculture experts, and we’re working on restructuring the farm to make sure that it is more productive on a consistent basis.

That is actually the first project of this year, which has already begun. We are already on the first project and because part of the whole point is that as we are here, the idea is to be self-sustaining in all aspects and showing an example of that, so definitely being able to produce your own food so that you don’t have to buy from outside.

Of course, there are certain things we will buy from outside, like rice or beans, but to be able to produce as much as we possibly can in terms of fruit and vegetables and herbs here on-site.

Ifunanya Okolie:

Is there something you would do differently as the creator of Escape 3 Points if you could go back in time?


I think I would be more careful to document and keep every documentation of everything we’ve done.

Apart from that, it’s difficult to know how the journey would have gone. There were moments when I was ready to stop the whole thing.

And it was just chance and what’s happened along the way that’s formed this. So, I don’t know if I would’ve done it any other way, but as I’ve been doing it, learning how to do it in a better way and better balance, just life balance versus work balance and making sure that everything is flowing.

Part of the thing is that what we do is not conventional. It’s tricky to see how to try and find a balance when there is no simple blueprint that we can just follow. Whereas, if we built a standard hotel, it’s easy. It’s like, (Akwasi gestures with his hands) do this, do this, do this, but as we’re pushing to try and do it differently, it’s also about trying to find solutions to unknown problems along the way.

Ifunanya Okolie:

Do you keep in touch with other creators and other guests who’ve lodged in here?


I bet, yes. And in fact, this past 2022, covid affected a lot of things here.

2022 was a wonderful year. We had several young creatives who came through. It was wonderful to have that kind of energy around because when people come and enjoy this, it’s wonderful, but also, to see and feel that creative energy through others is inspiring for me.

And so this year, we’re going to be encouraging more creatives to come into our space because there’s a lot of energy here that helps inspire things for different creatives.

Ifunanya Okolie:

Let’s talk about the naming of the lodges. I’m in the ‘Twin Sisters’ lodge, and saw the inscription underneath the name, ‘the person who pursues two rats will miss both,’ and there’s an image of an owl on the wall of one of the rooms. Is this symbolic?


Each part that you spoke about is symbolic. Even then, in the naming of the houses. Every house has its name, and every house has its own story about how it came to be.

So, that was the beginning of the process. Afterwards, when we were putting the names of the houses on, we added a number of different African proverbs that we thought were also fitting in relation to those houses. For example, the idea of the twin sisters was to build a two-storey house only with earth and Bamboo. After the whole process of building the house, we achieved it.

Afterwards, we got feedback that the round Bamboo was a bit too round and difficult on people’s feet. We did some modifications and changed things. Every house and space continues to evolve and change, and likewise with the owl on the wall. We had the opportunity to have a volunteer with us who was a painter. We discussed doing some murals. We did some painting. We brought the idea of the owl to add some small touches and feel to the space. Every house continues in that sense. But we can spend a whole day just on the explanations of each house. But yes, there’s a story. It’s much the same with everything that’s happened here. There’s a big story behind everything that’s happened here.

Ifunanya Okolie:

I’m curious to hear this story. We will set up another interview for just that. How many lodges are here? 


We have 11 bungalows. We also have the dormitory that sleeps ten people.

There’s also the rainbow house, which consists of six rooms that sleep two in each room, with a shared toilet and bath. Typically, if we are full on a normal day, about 50 people can come and stay here. 

Ifunanya Okolie:

Interesting. Would you design more lodges in the future? 


In fact, one of my projects for 2023 is not here on-site.

It’s at Lake Bosomtwe, where my grandfather’s from. We plan to build a two-bedroom earth block building just as a small house. Also, the idea of taking some of our construction methods to other places so that people can experience it and know it will also help to inspire and bring better solutions for people to build.

It’s one of the things I’ve wanted to do for years now, and this is because building with earth makes so much more sense for me than building with concrete. And with the current prices, inflation and things with the price of cement, it makes it difficult for people to build, but for me, there are better options like using earth. While my parents were building their hotel, I encouraged my mom to build with earth, but she said ‘no.’ To her, it was too much village-style building. But, for me, it’s a question of education. Yes, earth is more on a village level, but people don’t understand that it’s the details and the construction that allows it to be something that can be sustainable and last many years.

So, being able to build like what we’ve been doing here allows people to touch and feel and understand better that this could be a better option; I can still have my air-conditioned house; it’s a much cooler space. There are different benefits of building in alternative ways. But many times, I see young architects, even in Ghana, that are not taught these methods because of the liability. And the fear is that people are not a hundred percent sure about how to do it.

So even when it came to doing what we’re doing here, I looked to discuss with different people, but it was difficult to find people who were knowledgeable enough and wanting to share their knowledge. So, for me, this whole journey has been actually experiencing and learning it.

And now, there’s a big push that we need to share all the knowledge we have here. I feel that it’s important that people know how to build with these kinds of methods and be more self-sustainable, especially after what we’ve experienced in the last two years with Covid and the world. And the fact that so much of the world is dependent on other people and other sources, and if we can be more self-sustaining, we can be in a better situation when conflict comes.

Ifunanya Okolie:

Thank you so much for sharing that. What emotions would you say Escape 3 Points evokes in your guests?


I think my guests are just really happy to be in a serene environment in nature. At the same time, some of those people have their jobs, and they also need to be able to check in, and we’ve been creating these spaces so that when they are here, and they are doing those things, they can take their moments, check in, do their work, and then also unplug again quickly.

This space helps us cut off from those things that would bring us too much stress or anxiety, but also, we are not completely cut off from the world. 

Ifunanya Okolie:

What are some of your favourite memories of Escape 3 Points that you have?


That’s a good question.

The first memory that comes to me is during covid, we closed the lodge for two months. We’ve only closed the lodge two days in 13 years. One was for our wedding party. It was just to invite friends and be able to use the space. And the second was the outdooring for our daughter. Both times, people showed up without notifying us in advance. 

We welcomed them to come and join. But for Covid, we shut down for two months, and upon reopening, we were getting a lot of pressure from people living in Accra that wanted to get out of being locked away in their compounds.

When it came to reopening, we said we’d allow people to come again and see how it goes because we didn’t want to bring Covid to the village. We did a soft opening and had a couple of families come in groups.

When the children came out of the cars, you could see that they’d been locked away for two or three months. They looked so free and happy. I had tears in my eyes watching these children run around, and I said, ‘okay, we have to keep doing this. People need this.’ It really helped us push and reopen the lodge because even when we closed it, I was upset that this is not a good reason to close. People need to be able to go outside, especially in this kind of time, But I understand that people are doing their best to make decisions that this is what we should do.

But I’m like, ‘no, people need to be able to get away from all these things and be able to breathe proper air and have space between yourselves naturally.’ So yeah, I think that’s the first big memory that comes to me. There’s a lot. There are a lot of stories.

Ifunanya Okolie

Thank you so much for sharing that. Thank you for answering my questions, and for your honesty in sharing your answers to these questions. Hopefully, we get to have more storytelling sessions because I hope to visit soon.


My pleasure, thank you. And thank you for coming, and thank you for the opportunity to share. As many times as I tell the same story over and over again, it is nice to actually share this story. And when other people share this story, then I can tell the other stories and not the same story all the time.


Creatives Around Us granted permission to feature photos by Akwasi Mclaren; Additional photographs taken by Ifunanya Okolie.

art creatives fashion

Zoba Martin Makes Exquisite Dress from Tissue Paper for breast cancer Awareness

Carmel Snow wrote, ‘Elegance is good taste, plus a dash of daring,’ and Zoba Martin couldn’t agree more. Zoba continues to merge fashion, science, and character in her designs. She has made a name for herself through her eponymous brand by designing clothing pieces with a unique artistry that combines African prints with a modern North American twist. Her remarkable designs make almost every Canadian fashion blog writer have articles written on the young fashion designer who has come to stay.

Without a doubt, Zoba Martin has redefined the limits of what a dress can look like; who else could make a dress from tissue paper look so good?

Zoba Martin explored the fragility of life in her latest piece for the 18th Annual Cashmere Collection initiative: The New Belle Époque – a fund and awareness raiser fashion show for breast cancer. Chizoba created the most exquisite piece out of cashmere bathroom tissue using braiding and ruffling techniques.

Through her piece, Zoba remembered her aunt Nneka who lost her fight with breast cancer. ‘She had the most beautiful smile,’ Zoba wrote on her Instagram page. ‘The lines across the chest represent the scars from mastectomy, and the crystals poured into the vulva area represents the shine, strength and beauty in femininity.’ Chizoba honours everyone who died from breast cancer and encourages everyone to always check for lumps. 

Chizoba Udeh Martin is from Anambra, a South Eastern state in Nigeria. She graduated from the University of Ottawa, where she studied Entrepreneurship and completed a diploma in Fashion Design and Pattern Making at La Salle College of Design in Toronto, Canada. Chizoba founded Zoba Martin in 2016, and since then, and from her Toronto studio, she’s exuded excellence in her creations. She believes that excellence is a principle that should always guide her work.

Chizoba Udeh Martin’s collections are available on her website. She also teaches sewing classes and is ready to take anyone through how she designs her collections. You can also follow Zoba Martins on InstagramTwitter, and Facebook

Zoba Martin’s bathroom tissue gown.


Behind the sheets of #zobamartin Bathroom Tissue Gown for the 18th Annual Cashmere Collection 2021 🧻 #sewingtiktok #fashiontiktok #diy #creatives

♬ La Vie En Rose – Emily Watts
Behind the sheets of Zoba Martin Bathroom Tissue Gown

See other creations from Zoba Martin.

Creatives Around Us granted permission to feature photos by Zoba Martin.

fashion interview

Introducing Fashion Designer Kunmi Oni: the founder of 1964 Brand

Kunmi Oni is a Nigerian fashion designer based in Lagos, and the founder of the minimalist clothing line, The 1964 Brand. Kunmi, as a child, has always been artistic. After university, her mother, Felicia, ignited the passion in her to create her brand. Three years and five collections later, Kunmi Oni’s brand stands as the ultimate fashion brand for her chic millennial audience or, as she likes to call them, her 1964 women. 

Kunmi Oni’s story is that of determination, perseverance, and success. Throughout her story, Kunmi shares her inspiration to create, her challenges, recent collections, and the love she receives from her ’64 girls. According to her, “our brand grows because we have an amazing community of ‘64 girls who root for us daily.”

C: You have grown quite a community around the 1964 Brand. Can you tell us the story behind your brand? What inspired the name?

Kunmi: The name 1964 was inspired by my mum, who was born that year. The entire brand was created to honour her memory as she was the one that encouraged me to start the brand and gave me all the resources I needed to start when I was fresh out of uni and could not get a job.

C: On your About Us page, we saw that a woman named Felly inspired the 1964 Brand. Is Felly your mum? 

Kunmi: Yes, yes! Felly is short for Felicia, which is my mum’s name, and as I mentioned earlier, 1964 was inspired by her. Our design choices reflect the kind of clothes she loved to wear.

C: Have you always wanted to design dresses? When did you first realize you wanted to create women’s clothes?

Kunmi: There was no defining moment for me. I’ve always been good with my hands. I also express my creativity in other forms like blogging, drawing, and photography.

C: Who is Kunmi Oni? Tell us something that people do not know about you.

Kunmi: Hmmm, I’m not sure there’s any.

C: Who is your target market?

Kunmi: The 1964 Brand is for women who are big on self-care and would choose comfort over glamour when it comes to their style and fashion choices. 

C: What is the 1964 brand message to her market?

Kunmi: Always seek to create ease around your life every day. Prioritize your self-care and mental health above all else, including when it comes to your choice of clothes. 

C: Let’s talk a bit about your 1964 community. Have there been any challenges? Do you feel people got the 1964 Brand message?

Kunmi: Well, when we initially started, I was afraid that Nigerian women who are our primary market (we are based in Lagos) might not be able to relate to the brand message because Nigerians are generally “on the go.” But over the years, as we keep telling our story, more women, including women from all over the world, have been able to relate as they are now choosing a life of ease and comfort and seeing them join the community makes my heart full.

C: Your designs are brilliant. What inspired you to create such designs? Tell us about the Meraki and Rebirth collections.

Kunmi: Every 1964 collection tells my story. MERAKI was created at a time when I was in a dark hole, and creating clothes for 1964 women was the only thing that kept me going. MERAKI represents creating with soul even when people and life want to discourage you. Our REBIRTH collection is our most unique collection to date. It tells the story of the 1964 woman: a woman who puts her mental health and self-care first, who pushes through and reinvents herself no matter any setback she might face in life. 

C: What feeling would you say the 1964 brand evoke in your audience?

Kunmi: A feeling of self-love. A feeling of community and a feeling of being part of something bigger than just selling clothes.

C: Can you tell us something that a customer has said to you after wearing your designs that you feel describes your clothes quite well?

Kunmi: Yes, yes! I had someone send a message to me once saying our pieces are the most beautiful and comfortable clothes she has worn in a while and, this made my heart full.

Kunmi Oni’s collections are available to cop on her website and Afrikea (For free worldwide shipping). You can also follow The 1964 Brand on InstagramTwitter, and Facebook.

Creatives Around Us granted permission to feature photos by Kunmi Oni

art creatives

Adventure Photographer Kyle Vollaers will Inspire you to Travel the World

South African adventure and lifestyle photographer Kyle Vollaers is talented at finding remarkable sights around the world. He shot some dazzling Mars-like landscapes a few months ago, and his recent trips to the Canaries and Dolomites were equally fascinating. 

Kyle Vollaers started his artistic profession as a street artist on the buzzing streets of Cape Town, South Africa. He began taking professional photographs in 2016 and has captured a beautiful collection of travel, landscape, and lifestyle photographs. 

One unique thing that sets Kyle aside is his insatiable passion for travel. “I am inspired by sharing new perspectives with people who are not as fortunate to travel,” Kyle tells Creatives Around Us. ‘This is what drives me as a photographer.’ 

Interested in using his photography to inspire positive change, 27 years old Kyle has travelled to 27 countries. During his last journey, he spent three years away from home, exploring and capturing sights from Greenland, Iceland, Australia, Malaysia, Indonesia, The Philippines, Thailand, Sri Lanka, Norway, France, and Spain, and he is just getting started. Kyle is always looking to collaborate with brands and partners that align with his interest in travel, adventure, social ethics, and environmental sustainability.

A particular collection of Kyle’s photographs from Lanzarote, one of the Canary Islands, features a unique shot just as the sun rose over the volcanos; the fireball sunrise surrounded by Obsidian rock and dormant volcanoes was surreal. His recent collection from the Canaries has a volcano whose width is 2 km.

When asked how he manages to find time to work, travel, and update his fans on his socials, ‘Consistency.’ Kyle says. ‘I picked up a camera three years ago and have since taken my passion for creating and turned it into a career by staying consistent and putting in the work. I now work full-time as a travel photographer/filmmaker and couldn’t ask for a better career.’ Kyle advises anyone who wants to pursue a career in travel photography to stay consistent, work hard, and avoid getting caught up in the numbers on social media. In his words, ‘Art speaks louder than any number.’

Kyle details the methods and equipment he uses on Instagram. He has a dozen photographs on his website, and a collection of light room presets of his travels available in his store.

Kyle Vollaers shares breathtaking photographs from his travels around the world.

Creatives Around Us granted permission to feature photos by Kyle Vollaers


Sheila Adufutse: The common denominator for building communities is collective exploration

Life is possible with communities: intentional communities who have a common goal to explore life genuinely.

Sheila Adufutse

Sheila Adufutse is many things – intelligent, sophisticated, soft-spoken, affectionate, and a leader of tribes. In 2017, Sheila founded the Ghana Reading Community to encourage young Ghanaians to read a book and also have a space to dissect what they read. Driven by the intensity to inspire collective awareness and support for women, Sheila started ‘Sister is a verb’ in 2019. In the same year, she founded Travel Tribe Ghana (Traveltribegh), a travel group for old friends to reconnect and one where strangers can build new, lasting connections. 

Below, we speak with the community leader about the tribes she’s building, the stories behind them, and the challenges she’s met on the way.

C: Can you tell us a bit about yourself, how you started Traveltribegh, Sisterisaverb, the Ghana reading community, and what inspired these communities?

Sheila: Introductions are always so hard for me. Like where do I even start from? LOL.

Yes, I usually describe myself as someone who deeply feels and cares about herself and the people around her. I wholly love the simplified complexities of life and consciously attempt to live with ease – in the best way I can make room for.

I am passionate about organic community building and working together to explore the best way we can thrive. These three communities came out of this passion I sacredly nurture in the depths of my heart.

When I think about it, I believe the common denominators for these three communities are presence, care, collective exploration, and learning. Life is possible with communities, intentional communities that have a common goal to explore life genuinely.

Traveltribe Ghana came to life after envisioning a life of travelling with friends and strangers. I visualized a possibility of strong bonds of safety and care built between people because of these trips. I went on a journey to Lome – Togo with a group of friends and strangers sometime in 2019, and we all did not return the same. Something shifted in my life from that trip, and I wanted more of that. Genuine and deep connections are built, and there is always something new to learn by exploring new places with people. The joy of exploring a new and different area helps us understand how we can each care for ourselves in unfamiliar spaces. We put a lot of thoughts into planning our trips to ensure the safety and comfort of everyone. Most importantly, we encourage people to be free and be in the best way they know how to.

I was a part of an online book club called ‘The Read Club,’ started by Michael, an incredible Nigerian man, four or five years ago. We had physical meet-ups planned for people who lived in the same cities, and it was very transformative for most of us. With time, The Read Club halted the online activities, but as the space was good for many of us in Ghana, I felt inspired to create a book community to suit the needs of the young millennial Ghanaian.

With the help of other brilliant minds, we narrowed the scope of the reading community to read and engage with books written by people of African descent. Currently, we are working towards being present in all the tertiary institutions across the 16 regions of Ghana. 

Sister is a verb started as an experimental space for young African women to explore how to be intentional about caring for the self and learn how to support other women. It is a space for the everyday young African woman to breathe and thrive outside of all projections of what a young African woman should be.

My small group of friends inspired this idea. I am grateful for the comfort and support that I get from being in spaces with women who go through life similarly as I do. I realized quickly that, unfortunately, not every woman has access to such communities. I wanted to replicate this intentional space on a larger scale to broaden the accessibility so that other women can potentially experience and benefit from the offerings of being in a community with other sister friends.

C: What inspired the name, ‘Sister is a verb?’

Sheila: I came by that phrase in the book written and gathered by Adrienne Maree Brown called Pleasure Activism.

Writer and social activist Toni Cade Bambara taught me in the book that “Sister is a verb”. This phrase has guided this meaningful idea for women to take a bold, intentional, and nurturing step towards each other – which essentially should reflect in actions.

The idea narrowed down to how young African women can explore how to practice combined care and nurturing. I have a firm belief that our collective resources and presence are adequate to support us to thrive as women.

We are reminded that;

Sistering is intentional, and it takes practice.

Sistering is holding hands and affirming one another.

Sistering is being present.

Sistering is holding space.

Sistering is tough but doable.

Sistering is guidance.

Sistering is figuring out sistering.

Sistering is the food our soul craves.

Sistering is what saves our lives.

Sistering is indeed what we do consciously.

C: Are these communities only for people living in Ghana, or do you plan to expand outside Ghana?

Sheila: Currently, sisterisaverb is open to all young African women.

Traveltribegh is open to everyone living in Ghana because we mostly do local travelling within the country, but hopefully, we’ll be going to different African countries starting this December.

Ghana Reading Community is also open to all Ghanaians.

C: What is one thing that you consider a win during your journey, and can you share with us any challenges you’ve faced along the way?

Sheila: A phenomenal win for me is that I approach life with a sense of sincerity and vulnerability that is sometimes hard but necessary. I have been very much intentional about this, and even though living this way comes with its challenges, it makes you confident in the intentions of people who choose to walk towards you. It has helped me find myself in the company of people who share in the life I envision. It makes it easier to take each day at a time because you find yourself in a tribe that supports you every step of the way.

A challenge I would say would be juggling the nurturing of these communities alongside staying devoted to my professional 9 to 5 life. It has not been easy, but I am slowly finding the tools to help me make things easier and stay consistent.

To join any of these communities, send a message to the social media platforms, and Sheila and her team will take it from there.

Ghana reading Community: Twitter | Instagram

Travel Tribe: Twitter | Instagram

Sister is a verb: Twitter | Instagram

art creatives

Dare Adenuga Makes Art With Threads, Ropes, Fabrics, Newsprints and Acrylic

Visual artist Dare Adenuga bares his soul through his art. His work varies from painting to sculpture and mixed media with no limitations to experimenting with elements. 

Dare began creating art since he was a child. His artistically inclined father helped nurture his craft until he moved to Yaba College of Technology, where he studied Fine Art. While in school, he took part in several student exhibitions like Beautiful Nigeria at the National Museum Onikan and Olokun Art festival in Badagry before graduating as a painter in 2011.

Since then, Dare has participated in several exhibitions like ‘The Root,’ ‘Prince Charles Royal Visit,’ ‘It’s not furniture,’ and was also a finalist at the 2017 ARTXLagos/ARTXPrize.

Now, he makes art with just threads, ropes, fabrics, newsprints, and acrylic in his studio.

As a storyteller, it’s no surprise that Dare bases the theme of his art on real-life situations, and as he creates, he does not hesitate to share the story behind each piece.

To see more of Dare Adenuga’s brilliant creations, follow the artist on Instagram and Facebook to commission a piece of your own.

Visual Artist Dare Adenuga makes art with threads, ropes, fabrics, newsprints, and acrylic.

Creatives Around Us granted permission to feature photos by Dare Adenuga.

art creatives

Designer Hanan creates notebook covers from a place of dreams and prayers

Hanan of Hanan Artistry started from writing dreams, ideas, suggestions, and prayers to designing notebook covers, sketchpads, bookmarks, and keyholders. Each design is crafted with love by Bamidele Ayomide or, as her audience likes to call her: Hanan of Hanan Artistry, mostly in her department studio or dorm room in the University of Lagos, where she studies Architecture.

Hanan began creating notebook covers in September 2020. “I appreciate paintings, but I could not help but wonder if I could take those paintings off the wall and transfer the design to an item I can acknowledge every day,” Hanan tells Creatives Around Us.

“I want to create functional artworks that have a purpose,” continues Hanan. “I started with notebooks to make my audience understand the value of writing things down, it really goes a long way. I want to let people know it starts with a book filled with dreams.”

The talented bookmarks designer says she gets her craziest ideas after she’s prayed. “My inspiration comes from God.” She says while explaining the reason behind her name. “Hanan means ‘Gracious gift’ in Hebrew.”

Check out Hanan’s designs below and cop your pieces from her collection on Instagram. You can also follow her on Facebook and Twitter.

Hanan of Hanan Artistry designs notebook covers, bookmarks, keyholders, and sketchpads to show people that it starts from a place of dreams.

art creatives

Segun Akano Makes Art from Screws

Nigerian artist Segun Akano is among artists who makes art from unusual materials. He focuses his art on relief sculptures and models with light and optical illusion. Using a small cog capable of maintaining monumental and durable structures, the artist shapes people in bas-relief using screws, constructing visual nuances to reveal light and shadow.

Segun’s works revolve around the female form, womanhood, African culture and legendary stories. He started creating art after graduating with his first degree in Analytical Chemistry from the Ladoke Akintola University of Technology in 2008.

Segun Akano’s strength is displayed not only in the skill of his gesture in screwing in the materials he uses but also in the care given to the nuances that he constructs by the different heights of these same tools. These shades allow for the shaping of the folds of the fabrics, which he somehow manages to sculpt just like the intricacies of human anatomy.

Segun Akano held his recent solo exhibition at CAL Bank Head Office, 23 Independence Avenue, Ridge, Accra, Ghana, organized by Kalizma Art.

For more information on how you can commission a piece of this artist’s beautiful works for yourself, follow him on Instagram and Facebook.

Nigerian Artist Segun Akano makes art with screws

community creatives

Tunde Onakoya’s Slum Chess Dream

– “It is possible to do great things from a small place”

Tunde Onakoya is changing the communities around him one chess piece at a time. He runs Chess in slums, an organization that teaches vulnerable kids how to play chess, and he’s sharing the individual stories of the children he’s coaching. Chess in slums came alive in the slums of Majidun, Ikorodu, Lagos when he met Basirat, a five-year-old child who wouldn’t let him go until he gave her a piece to hold.

Two years down the line, with a hundred kids successfully trained and thirteen children on lifelong scholarships, Tunde Onakoya keeps defying all odds by reaching into different slums to give a chess piece to underprivileged children.

This recent tournament happened at the heart of Lagos. A low-income community, tagged ‘the floating village of Makoko’ or ‘the slums of Makoko’ stilts in a lagoon off the Third Mainland, where Tunde Onakoya discovered Ferdinand, a child battling spastic cerebral palsy. According to Tunde, Ferdinand outperformed everyone at the training centre a few minutes into learning board arrangements.

Using the classic chess movie “The Queen’s Gambit” as inspiration, Tunde worked with his team to make suits for the children who participated in the competition. “We had a revolutionary idea to make suits for the boys and dresses for the girls,” Tunde wrote, “to tell a new narrative of children in the slums that is not just one of poverty, but an image of what is possible if they’re given equal opportunities to excel.”

After two weeks of chess lessons, chess in slums organized a tournament to celebrate their excellence, and Ferdinand won with a phenomenal performance. “In those two weeks where we taught him chess, I never heard him speak an English word,” Tunde says. “but on the final day of the tournament when he held up his trophy, he muttered the word ‘champion’.”

During the period they stayed at Makoko, Tunde and his team profiled about a hundred children who do not go to school, and they are launching a campaign to get them back to school to establish a chess centre in their community.

According to Tunde, ‘a slum is just a place. It doesn’t define the people who live there. This is why we must be relentless in our fight to create an equitable future for these children who have been marginalized for so long.

To let them know that their dreams are valid too.”

Tunde is using the game of chess as a framework to promote learning and enhance intellectual development amongst vulnerable children.

The Kashope Photography: Website | Twitter | Instagram

ChessinSlums: Linktree | Twitter | Instagram